Lou, it’s true. Love makes you feel ten foot tall.
These two strangely have the look of lovers.
Riot police detain a student during a protest against the government to demand changes in the public state education system in Valparaiso city, about 121 km (75 miles) northwest of Santiago, February 2, 2012.
[Credit : Eliseo Fernandez/Reuters]
Rest in peace, Etta James.
Last night I set my alarm clock, again, and in the time it took to turn the dial to RADIO I heard, a precise snippet, the four words “urinating on the corpses.” In advertising I think they call that symmetry a donut but that’s not right. Donut means sweet and a hole in the middle. Point at it. You can call those dead bodies dead bodies or corpses or failures, say what you want on the radio, they were down and bloodied on the desert ground. In advertising, in irony or hindsight, we can use the whole of language to point out and at and name just what we want to say we see. Bruegel painted town scenes and the tower of Babel. Act now and build your bloodless own with words and art as a toddler at its blocks. High enough the world will look only dun and and dark and white.
If I ever get that chance to travel through time, I’m bound without a second’s thought for the Harlem Square Club, January 12, 1963 to dance to Sam Cooke singing live. I’d kept my New Year’s resolutions down to two, and a secret, but they were as follows: one, to put my hand on my hip, and two, to let my backbone slip. That sounds flippant, but I meant it, the best of life happens in a state of deep play, of high song, in a dance, in the brain of the body that’s dancing. Listen to this album and even two resolutions seem superfluous and I have just one, this: Don’t fight the feeling.
This song is beautiful!
I’ve always wanted to toss a drink in someone’s face, some swanky cocktail from a Collins glass during a sexually-charged argument in a dimly lit bar. Last night I got the other and wetter end of the deal, in a unfancy way: a full twenty ounce styrofoam cup of ice water from a patient at work. It’s not that bad, a mild affront, a big surprise, and as my older lady coworker pointed out as she helped me clean up, “You’re lucky. That coulda been PISS!”
You just go on your nerve. If someone’s chasing you down the street with a knife you just run, you don’t turn around and shout, “Give it up! I was a track star for Mineola Prep.”
That’s for the writing poems part. As for their reception, suppose you’re in love and someone’s mistreating (mal aimé) you, you don’t say, “Hey, you can’t hurt me this way, I care!” you just let all the different bodies fall where they may, and they always do may after a few months. But that’s not why you fell in love in the first place, just to hang onto life, so you have to take your chances and try to avoid being logical. Pain always produces logic, which is very bad for you.
from Personism: A Manifesto, Frank O’Hara
